upcoming and recent  (scroll down)


 2023


Ann Messner und Katharina Gruzei: underground & uncommissioned 

exhibition curated by Eginhartz Kanter

October 28 – November 11, 2023

Oxymoron Galerie, Wien

Eginhartz Kanter’s text (german): Blind Me! LIGHT >

installation images underground & uncommissioned >

‘slalom’ 1977-79 (super 8 digital transfer 2023) >

 


Open Book: Ann Messner

online project the Monira Foundation 2023

 


 2022


body politic in 5 acts an anonymous public project developed for the exhibition Right Time Right Place

‘body politic in 5 acts’ project description >

installation Right Tine Right Place >

 


Right Time Right Place

artist-curated exhibition examining different approaches to working in the public sphere, curated by Katharina Gruzei Monira Foundation, Mana Contemporary, Jersey City, NJ

October 8 – November 12, 2022

exhibition description >

Right Time, Right Place: a conversation, October 11, Austrian Cultural Forum, New York

link to (remarks_Austrian Culture Forum) 2022
the relativity of a right time and a right place > 

 


Art for the Future: Artists Call and Central American Solidarities

curated by Erina Duganne and Abigail Satinsky

Aidekman Arts Center, Tufts University Art Galleries, Boston, MA

January 20 – April 24, 2022

exhibition description >

 

additional exhibition venues:

DePaul Art Museum, Chicago, IL 

March 23 – August 23, 2023

The University of New Mexico Art Museum, Albuquerque, NM  link >

September 6 – December 3, 2022

 

publication: Art for the Future: Artists Call and Central American Solidarities

Edited by Erina Duganne and Abigail Satinsky

Co-published by Inventory Press and Tufts University Art Galleries, 2022

available here >

 

review: Archived Opposition: “Art for the Future” at Tufts University Art Galleries

By Mahan Moalemi, Art in America, April 25, 2022

link >


 2021


Monitor: Data, Surveillance and the New Panoptic

curated by Julie Poitras Santos

Institute of Contemporary Art at MECA, Portland, ME

October 1 – December 10, 2021

 

3rd printing of the free library and other histories, edition of 2,000 distributed free to the public through the Maine College of Art and a selection of Maine public libraries; aligning with the statewide Freedom & Captivity Initiative, a Humanities Initiative for an Abolitionist Future

https://www.freedomandcaptivity.org


 2018


the free library and other histories

A second printing—available free to the public through the Lower Manhattan Network of New York Public Libraries NYPL: in the West Village at Jefferson Market Library, 425 6thave @ 10th Street and Hudson Park Library, 66 Leroy Street; in the East Village at Tompkins Square Library, 331 east 10th Street; and on the Lower East Side at Seward Park Library, 192 East Broadway. The project will be available at these locations until the edition is depleted, beginning in May.

 

images below: Jefferson Market Library installation with large redactions.

 


the free library and other histories

A Project Commissioned by Franklin Furnace Archive, Inc. and The Pratt Institute Libraries as part of the annual exhibit and events series LIVE AT THE LIBRARY.

 

February 1– April 6, 2018

Pratt Institute Library, Brooklyn Campus, Main Floor

 

image above: FBI documents disclose surveillance of libraries, the Library Awareness Program; FOIA request submitted by National Security Archive; released November, 1989.


 2017


a love story 2017

An artist book. This story, as it is revealed, becomes one of people and circumstance, a diaristic response to violence, to seduction, to the transmission of ideological power. It is a story of transference, as reality and fiction collide and interchange and empty stages become spaces within which projections merge and morph.

 

96 pages, color offset full page photographs
, 10.5 x 8 inches, 268 x 199 mm edition of 500 printed at Die Keure, Brugge, Belgium July 2017

 

available at Printed Matter, Inc  New York  here

 

link to book >


 

from the archives:

an essay by Peter Fend on an early work intervene 1981. link to Peter’s essay and images of the project:

Intervene  Peter Fend  October 1981 >

intervene 1981 >


 2015


the underground potato

a project by Ann Messner and Laurie Arbeiter

During the New Museum’s Ideas City festival on Saturday, May 30, 2015 the underground potato was deployed at the corner of Delancey and Essex Street on New York’s Lower East Side. Participation in the Ideas City was commissioned by Artists Alliance.

 

‘the underground potato’ >

a detailed project description and photos >

 


 2014


Cuchifritos Gallery, Essex Street Market, and James Fuentes Gallery, New York, NY  April 16-29  2014

 

 


Women Choose Women Again

New Jersey Arts Center, Summit, New Jersey

Curated by Mary Birmingham with Assistant Curator Katherine Murdock

January 17 – April 13  2014

 

Inspired by the historically important 1973 exhibition Woman Choose Women.

A group of artists from the original exhibition will each show one of their works and choose another female artist to participate in a new exhibition. Ann Messner selected by Joan Snyder.

 


 2013


The Real Estate Show and Other Histories,

The Creative Time Summit 2013:

Art, Place, and Dislocation in the 21st-Century City;

Section 6: Resistors 

moderated by Ivet Ćurlin of What, How and For Whom with Jimmy McMillan, Chen Shaoxiong, Levan Asabashvili, Urban Reactor

Skirball Center, NYU, NY

October 25-26  2013

 

archive:

http://creativetime.org/summit/speakers/ann-messner/

http://creativetime.org/summit/2013/10/26/ann-messner/


DuBois_the FBI files   

a public project for Du Bois in Our Time

University Museum of Contemporary Art, UMASS Amherst, MA

September 10 – December 15  2013

images and info on project > 

 

exhibition website:

artists in the exhibition >

DuBois and 10 Artists Documentary >

DuBois symposium video archive >

 


Petites Résistances

curated by Emmanuel Mir

Hans Peter Zimmer Foundation, Dusseldorf, Germany

June 1-July 13  2013

 

 

 an index of peripheral activities 1975-1979 small failures (petits échecs) from the exhibition catalogue >

http://petites-resistances.tumblr.com >

http://petites-resistances.tumblr.com/kuenstler >

 


 2012


I Am Crime: Art on the Edge of the Law

curated by Justin Hoover

SOMArts Cultural Center, San Fransisco, CA

March 9 – April 19  2012


Fifteen Islands for Robert Moses

Greg Sholette (a collaborative project for the Panorama of the City of New York)

Queens Museum, New York

February 5 – May 20  2012

floating garden island_an alternative to the prison barge >

Gregory Sholette website_fifteen islands for Robert Moses >

 


 2011


M/E/A/N/I/N/G Online #5

25th Anniversary edition  2011

table of contents >

messner contribution >

download PDF >


A Show about Colab (and Related Activities)

curated by Max Schumann

Printed Matter, New York

October 15 – November 30  2011

my essay ‘mapping collective action and the real estate show’ >

press

https://www.artforum.com/picks/a-show-about-colab-and-related-activities-29319

http://hyperallergic.com/38908/1970s-flashback-to-the-birth-of-

alternatives/


WEST END ?

Museum on the Seam

Socio-Political Contemporary Art Museum

Jerusalem, Israel

June 23 – December  2011

https://www.mots.org.il/westenexhibi


Act / OUT

curated by Lene ter Haar

Onomatopee, Eindhoven, Netherlands

June 10 – July 10  2011

Onomatopee Act/OUT exhibition archive >

messner essay for exhibition catalogue >

press

Nicola Bozzi. Mark, wedge, explode. Interrogate, confront, shock. Act / Out at Onomatopee; Metropolis M


Global Fight Club: Aspects of Terror in Contemporary Art

curated by Matthias Reichelt and Bernhard Draz

Meinblau, Berlin

April 29 – May 22  2011

Meinblau Global Fight Club exhibition archive >

press

http://www.neues-deutschland.de/artikel/196776.osamas-puppenhaus.html

http://www.undo.net/it/mostra/118757


Art, Access & Decay: New York 1975-1985

curated by Lisa Kahane and Peter Frank

Subliminal Projects, LA

April 2 – April 30  2011

http://subliminalprojects.com/exhibition/art-access-decay-ny-1975-1985/